stories

 

Well it’s been almost a year since I’ve blogged. But in that year, nothing has felt more true than the fact that I need and want to write. So, to get ahead of New Year’s Resolutions, I’m making a commitment to post once a week.  And with that, here’s part one of my story:

 

When I first started trying to stop drinking, it was other people’s stories that resonated with me more than anything else. At first, I read these stories in the privacy of my one-bedroom apartment in Nashville. My sister had recommended Carry On, Warrior by Glennon Doyle, and I remember sitting on my floor bawling—I couldn’t turn the pages fast enough. Someone else understood. Someone else had been where I was. And that someone else was now the author of the book that I held between my hands.

I want to share my story because the stories are what saved me. The raw, unfiltered words that told someone else’s story started to lift me out of my brokenness. They infused me with a sense of hope that I had long ago lost, they gave me a possibility that I hadn’t seen before.

If any part of my story can have that same effect on someone else, then the story is worth being told.

Alcohol was never supposed to be my poison. I grew up with parents who rarely drank, no one in my extended family exhibited signs of addiction: I didn’t have an uncle who showed up plastered to Christmas dinner or an aunt who was notorious for slipping vodka into her morning orange juice. These scenarios weren’t even in my imagination; I didn’t know of any friends growing up who struggled with alcoholic parents. “Alcoholism,” or what is more appropriately called alcohol use disorder, was nonexistent. It was something that was supposed to stay in the movies, in the dark alleyways that I couldn’t see from inside my ‘normal’ home.

I was the straight-A student in high-school who was a little bit shy, a little reserved, a little too “good.” I didn’t untuck my shirt or wear skirts that failed the dollar-bill-length test, I handed in all my assignments on time, and I could count on one hand the number of times I tried drinking. For the better part of my freshman year in college, I abstained from alcohol because I just didn’t “get it” and because I thought that staying away from it would help me hang on to the high school boy who also claimed he didn’t drink. I tossed my nose up at parties, opting instead to lie on the floor outside my dorm and talk to that boy for hours on end until he started snoring, thinking this was a sign he was still in love with me.

Then, when I found out that boy had more than one girl who he was falling asleep on the phone with night after night, I threw all abandon to the wind and started dipping my toes into the water that was Natty Light and watered-down margaritas.

And I realized that when I drank, I didn’t care so much about that boy, or what hurt felt like. Because I didn’t feel the hurt as deep. I realized that the sensitive, lying-on-the-driveway-wishing-on-falling-stars, seventeen-year-old girl had a different side to her, a rebel, if you will. This rebel side was feisty, confident, funny, outgoing and took shots faster than the frat boys who gave them to her. She was surface, never letting anything scratch deep, never letting anything feel too much again.

I wore the mask of a rebel well. It became easy to hide underneath this facade and push down the old parts of me. I learned how to become a reflection of what I thought the world wanted me to be. I danced through the streets of Broadway, forgetting the parts of me that longed to be the one writing songs and poems, instead listening to someone else play music while I stood on tiptoes to flag down the bartender at whatever honky tonk I was in.

I lived life in a way I thought was fearless. A way I hadn’t known before. It seemed so much easier to me, not having to feel so much all the time. I didn’t waste my wishes on falling stars. I traded driveways for rooftops and the moonlight for the neon signs of bars. I finally knew how to live.

Until all of that stopped working. Because when you have an addiction, sooner or later, the glitter fades, the curtain draws, and it starts to get pretty dark.

Having an addiction feels like building your own prison, living in its walls, and then realizing you’ve had the keys all along, but you don’t know how to use them. Or, if you do figure out how to use them, the minute you unlock the doors and get free, you do the very same thing that got you behind bars in the first place. And you forget again how to use the damn keys. It’s an endless repetition of the same story.

But, if you’re lucky, maybe you read someone else’s story. Maybe you realize that someone else has done what you’ve done, they’ve woken up to texts they don’t remember sending, became the niece that shows up to Christmas dinner plastered, woke up in the backseat of a cab on their first night out in grad school. And maybe you hear how they started wanting something different from life, and they started asking for help, and they started learning about how this addiction thing isn’t something that only lives in movies or dark alley-ways or other people’s homes. It can creep up suddenly or over years, it can stay swept under the rug for ages and then come flying back out when it’s least expected. But it doesn’t have to be the thing that defines you, or the thing that breaks you or the thing that shuts you down. Maybe it becomes the thing that breaks you open, that pushes you to dig deeper, scratch harder, go beyond the surface. Maybe it can become a story that ends up in someone else’s hands when they need it most. And maybe that’s enough.

Friends

 

 

 

These days, I’m starting to feel like Mr. Heckles.

For anyone who has watched the early seasons of Friends, you can maybe relate. Mr. Heckles lived in the apartment below the fictional Friends gang (Ross, Rachel, Monica, Chandler, Phoebe and Joey). Mr. Heckles was the cranky old man who complained about hearing stomping from Monica’s apartment above him.

I’m 34 and living alone in a 1-bedroom apartment, and I find myself transforming into this same cranky old man, because the neighbors above me are also stompers.

I swear, every night around 8:30 or 9 pm, I start to hear this rumbling noise from above. I moved into this apartment in July, and it’s now December, and I’m beginning to realize this stomping situation is not getting any better. I had hoped it was just a phase: new neighbors moving in, perhaps, moving boxes, getting settled. But maybe what’s really to blame are just thin ceilings.

That doesn’t stop me from pulling a Mr. Heckles and making up all these stories in my head that the neighbors above are just out to get me. That they are purposely making noise to make my life a living hell. So there are days when I just yell out in my apartment, hoping they’ll hear me, “SOMEONE LIVES BELOW YOU!” I’ve even succumbed to the classic Heckles move, pounding the bottom of a broom on the ceiling to try to compete with the upstairs noise.

Friends has been on my mind lately. It’s a show that I started watching in High School, and that I have used throughout the years as a sort of security blanket, a thing I could turn on to make everything right in the world for just a few moments.

But Friends has been on my mind lately for other reasons. With the sudden passing of Matthew Perry, the actor who played Chandler, a character I came to almost see as my own friend (that’s what watching every episode five times over will do to the lonely mind), I’ve also been thinking about Friends in terms of addiction. My addiction, Matthew Perry’s addiction (which has only been brought up because of the timeliness of his death, and which has not been confirmed as a reason for his death).

I’m starting to view the show differently these days. Because while I’d come to know the characters as friends in some fantasy world of mine that I’d go to when I needed to get away from the messiness of real life, I’m now appreciating the fact that the characters on screen are real humans with real lives and real human struggles.

I’m realizing that Matthew Perry and I share a very real struggle.

When I first started watching Friends, it had nothing to do with my addiction. It was years before my drinking got out of hand, and the problems I were tending to had more to do with a broken heart than a hangover.

Although I guess in a way, those first loves can themselves become somewhat of an addiction. At least for me, with my sensitive heart and my tendency to overthink, I latched on to one of those early relationships, and the baggage and weight and heartbreak over the course of a decade started to fester and feed my need to numb, to check out, to escape.

So Friends became the background noise that would lull me to sleep on restless nights, thanks to the accessibility provided by streaming services. (In earlier times, I had to wait for Christmas each year to get the next season’s set of DVDs).

On some of my darkest nights, the only thing that got me through to the morning was getting lost in the comedic genius that is Friends. I may be biased, but I think the fact that the show was so successful means that there was something special about it, something different, something that all genres of entertainment seek to reproduce: a momentary escape from the troubles of life.

No one can argue that the chemistry between the actors, the perfectly fine-tuned personalities of each character, was anything but the rare result of the collaboration of many talented writers, actors, producers and countless others who worked together to help bring solace to viewers of the show.

But I now find myself watching Chandler more closely. Looking for clues that the actor that played him was struggling with the same affliction I’ve struggled with.

The truth is that, like an actor on a show, I too tried to present this image of myself to the world that was a far cry from the battles I fought in the privacy of my own home. I sought to climb the ladder in my career, gathering letters behind my name in the hopes that all those letters could hide what was really going on. That the piece of paper I presented with all my accomplishments was enough to hide the sheer insanity, unmanageability and chaos of my life.

Watching Matthew Perry, I only see a talented actor, delivering lines with a unique punch, acting as a sort of glue which held the cast together. But I wonder at the pain he was living in behind the scenes, what his nights looked like in the quiet of his own bedroom, what demons he battled when he was no longer Chandler Bing.

I guess what I’m wanting to convey is the truth that we all struggle with something. Humanity comes with trials and challenges that maybe are there to help us grow. Pretending to have it all together is fine, but isn’t there more to be said when we can be vulnerable and authentic and real, and instead of trying to fit into some image of what we think we are supposed to be, simply bear witness to the beauty of our brokenness?

I write this as above me, I hear the incessant pounding of my upstairs neighbors. I try to stop convincing myself that their whole mission is to make my life miserable. Because really, in doing that, I’m just making it all about me. Maybe instead, I can listen to the stomping and find solace in the fact that I’m not alone—that just one floor above me, there is life and movement and someone else who has a story and a purpose in this world.

Like the theme song to the show says, “So no one told you life was gonna be this way.”

But we aren’t alone in this world. There’s always someone who can say, “I’ll be there for you, cause you’re there for me too.”

on the road

Sometimes it feels like the only place that’s ever felt like home is the road.

I drove up to Northern Colorado this weekend to see my mother and her longtime friends. I found myself not wanting the 1 ½ hours on the open road to end. In my car, my foot heavy on the gas, it’s not that I find my thoughts still. Rather, it’s here that my thoughts become poetry, it’s where I undo my mistakes and find hope for the future. Where I forgive myself for the past and where I feel most present.

I drive with an open sunroof and songs. Songs I’ve heard and songs that are new. They remind me of what it means to live. I feel most alive when a lyric tells my story. When I find myself in the words of a melody. I hit replay until the edges soften, until the meaning settles in and I know what I’m meant to figure out.

The things I love most in this world right now are my dog and my guitar. Both of which are biding time back home in Mississippi. I ache for the familiarity of holding both, of feeling love in a way I’ve never known before.

Sometimes I wonder if I’m capable of being loved. The walls I build are thick, tall, protective. I don’t know how to allow that vulnerability again when the hurt from years ago still lingers. I could tell tales of what I’ve been through, but they wouldn’t make sense. It wouldn’t make sense, how these things hit me so hard. I feel more than I wish I did.

When I take risks, I feel rejected. It’s why I still live with walls.

On the road I do not have to be anything but myself. I don’t have to wear the walls. I can wear my hair loose or secured under a ball cap. I can get drunk on caffeine and the highway. I can sing too loud and out of key. I can remember things from the past, like my college roommate and the way our friendship ripped apart without my permission. I can remember the boy from high school that taught me about love and broken hearts and the grief of unexpected accidents. I can use the taillights of 18-wheelers to steer me toward the next exit, and here, I can finally breathe.

I will always remember the sting of rejection, the way a sunrise can hold grief and longing and hope all at once. I will always remember old friends, new homes, and the way it feels to blow out 30 some candles. I will always live for today and try to make tomorrow better. I will always love the way a lyric can tell my story. I will always remember the way the road feels like home.

more to come

 

For years, I’ve spent money on a website I don’t attend to. Too stubborn to lose hope in the idea that one day, I would be consistent. Write blogs daily..at the very least, weekly. My intention, always, to reach even just one person who needs to feel less alone.

But my own fears keep me away. Fears of being vulnerable, fears that I’ve “let writing go,” fears that I’m baring my soul without it meaning a thing.

I turned 34 last week. The first birthday I spent alone, in a new(ish) city. Sure-there’s been many recent birthdays where the only companions were my parents, but at least I had them. Or a dog or two to help lick the icing off the candles.

I don’t say this to evoke pity. Quite the contrary-I loathe pity. Rather, I say it to validate that even though I had no plans, no birthday dinner, no friends to light candles on a cake I never had, I still felt ok. And for me, that is something.

I’ve spent so much of my life–at least, recent years–wallowing in self-pity. Feeling angry at the wreckage I caused in my addiction, ashamed of the years I felt I’d wasted. Feeling like I’m “less than”–holding myself up to the standards I’d set of how life should go.

With social media, it can be hard to not compare yourself. I see high school friends, college friends, grad-school friends traveling the world. Getting engaged, having babies. Surrounded by friends. Going on bachelorette trips, reuniting with old friends in new hometowns, guzzling champagne with scenic backgrounds, eyebrows meticulously plucked/shaped/whatever-the-hell-it-is-they-do.

I guess if I’m being honest, a part of me saw myself having these same experiences. I saw myself in friends’ weddings, catching bouquets, eyeing the cute groomsmen. I saw myself at after-work functions, a glass (always) in my hand, the image that validated you had made it. The eyebrows that said you can afford it. 

But I’m seeing myself differently these days. I’m seeing myself as a little girl again, curious about the world. Unashamed of wanting to go to bed early. Unashamed of crying because something hurts. Unashamed of finding the answers to all my questions in books, in words, in the way the lyrics to a song are my prayers.

I know now that the pictures we post don’t tell the whole story. Images only convey the moment in time.

I’m more privy to the words.

The ways words can simplify, yet amplify, the feelings we feel as humans. The emotions we go through as we grow. The things we think we know, but are still learning.

I made a vow to myself, to the little girl inside of me who always loved to write, that I will write a book. I will tell the stories of my life that want to be told. If no one listens, that is ok. But if some body, just one person, chooses to read my experiences and gains just one ounce of relief knowing they are not alone–then I will know my intuition to write, that thing inside of me I cannot push down, will finally be at peace.

Stay tuned. More, as always, to come.

shattered glass

I’ve been wondering for a while what it is I am supposed to do on this earth. The conclusion I’ve come to, is that the answer to that is ever evolving, ever-changing, and so there is no point to which I can direct my steering. What I can do, however, is share what I feel, what I see, what I find about life in the journeys I take, the paths I cross, the waters I swim. I can share my experiences because if I can’t learn from them, maybe someone else can.

I’m journeying into a new unknown. Uprooting my life again and trying something else on. I’ve been trying to figure out what I need to be but all that is doing is making me unaware of what I need to feel.

I feel scared. Fearful of what chances I won’t take. Fearful of the chances I will take. Scared of letting go of what I’ve known for so long and trying to allow it to be something else. Surrendering to the chaos of the unbroken.

How can you live if you feel that you are meant to shatter?

Maybe the shattering is the beginning of something new. Split glass shows a different scenery than a mirror. Different perspectives, different views, different reflections.

Maybe in the shattered glass I can see myself whole again.

College

Lately I’ve been dreaming about college. Dorm rooms and moving, packing up boxes and splitting them open. Odd, because college was 10 years ago now. Odd, because I don’t feel 10 years older.

I changed a lot during college. Who hasn’t? We go from being dependent on parents, living under strict rules and family dynamics to being independent, living in dorm rooms with strangers, taking classes with peers from all over the world, discovering the freedom of alcohol and tailgates and entering a world where previous rules seem to fade away.

Growing up, I  don’t think I knew who I really was—as a twin, I was known as half of a whole,–always compared. Who was the smallest, the smartest, the prettiest. People comment on their opinions without realizing the consequences it has on a young girl. My sister and I attended the same private school from kindergarten through senior year. We grew up with the same boys we learned cursive with, shared lunch with the same girls we shared our first crushes with. It was a small town where everyone knows you, where if you’re smart at something or adept at some sport you have a name. You’re someone. And then, in college, I entered this world where no one knew me as a twin, as a part; I could create whatever story I wanted. I stumbled at first. I latched onto a boythat boy from high school that I thought was the answer to all my insecurity. The one that finally made me feel like my own person. He was a year younger than me, so college meant the forced break up of our relationship, though in hindsight I think for him it was a way out. I held back on living because I couldn’t see life without him, even though I knew deep down that he had no intention of following through with his promises. I was entertainment, a game, something he could easily toss aside and pick back up whenever he wanted. And to his credit, it was because I allowed him that.

But after I found alcohol, he took a backseat. I had finally found the solution to all my embarrassment, my low self-esteem, the timidity that I hated about myself. With alcohol, I became the life of the party, someone who could easily start a conversation with anyone, even with the cute D1 baseball player at Vanderbilt, a school notorious for its baseball program. In my eyes, I was finally a catch. I was invincible; nights were magical—the elixir of alcohol mixing with my newfound freedom, living as as independent, an adult, someone detached from all the labels I had grown up with. The live music of Broadway became the background soundtrack to my new life. I catapulted up onto stages, singing into the microphones with a voice over-sold with cheap liquor. I took shots from strangers, never questioning who was handing me my drink, as long as it numbed whatever noise was chattering in my head. I strutted with purpose in heels I had no balance for, my dress riding up, my lipstick fading with the stars. At the time I still had the wherewithal to make it home safely, somehow—there were nights I’d trek the lonely stretch from Broadway all the way back to campus, some boy blowing up my phone. I’d collapse in my bed with my shoes still on, makeup running down my face, my dreams mixing with whatever had happened that night. Sometimes I’d wake up with remorse, but more often I’d shake off the night and convince myself this was normal. That all college girls flirted with danger, that this was my right, my coming of age.

Sometimes I look back on those years with shame, embarrassment, self-loathing. Living an entitled, privileged life, self-absorbed, the world at my fingertips, taking what I had for granted, using those around me as pawns in my game. I didn’t ever do it intentionally, but with time comes knowledge and the loss of ignorant bliss. I may have been numbing my own little traumas, but the childhood cards I were dealt were a winning hand. I’ve learned a lot about self-forgiveness, self-love—all the ingredients necessary before you can become a force for the greater good—but there is still a part of me that wants to scream out—none of this makes sense! There’s no clear justification for the road I took, the line I crossed, how I chose poor coping mechanisms to deal with whatever pain came into my life. There’s been times I’ve longed for a scapegoat—something from my past to blame for the ways I’ve unleashed destruction on those around me. One thing I do know, however, is that staying stuck in the past helps no one. I can choose to move on and learn and grow, or I can choose to wallow in my mistakes—the choice is always mine to make.

In sobriety there is almost a re-birth. A re-experiencing of all the human emotions, because for years and years there was the numbing, the shoving away, sweeping under the rug. All at once you re-learn what grief is—the sting of it enveloping your chest, freezing your movements, the shock and the lump in your throat. You relearn joy—the lightness, the feeling of floating, the way you perceive things as if seeing them for the first time. You re-experience anger and irritation, loneliness and freedom, confidence and pride. Sometimes the emotions feel like too much, like you just need to press pause on the world so you can process things one at a time. Too often they come in floods—when it rains, it pours. And you have a choice to make—to experience the pouring in all its glory, or to pick up and numb again.

Sometimes I want to numb again. I want to feel the way I felt in college. The nonchalance, the way I could brush off one night full of debauchery as if it was nothing, reinvent myself as a new week dawned, create whatever story I wanted to sell to the world. Sometimes I want to re-live Tuesdays in a crowded Sports-bar haggling the Joe strumming guitar because in my inebriated state I believed I could steal the show. Sometimes I want to feel that sequined top again, the way it hung on my bloated body, youth doing its job of hiding those imperfections, because when you’re twenty those choices haven’t yet caught up. I want to feel some stranger’s arms around me, be persuaded that I was the prettiest girl in the room, letting his lines lure me in, blunting the heartbreak of high school and what I thought was love. Sometimes I want to feel the wind on my face as I climbed the fence into the baseball stadium at midnight, running the bases with the boy I stole, our hearts beating too fast from rum and cokes. Sometimes I want to feel that rebellion, before it became a prison, before it threatened everything I’d worked so hard to have.

Maybe right now it’s enough to reflect on the memories, to realize their impact on the person I am today. Maybe right now it’s enough to accept time for what it is, lines for what they are and how they get crossed and blurred and the consequences I learn to live with when that happens.

Maybe it’s enough to write about and share, knowing that there’s a lesson to be learned in all of this living. Maybe it’s enough to just be where I am right now.

songs

 

“What do you want to be when you grow up?”

 

I look at this question today from a different lens than I did as a child. First of all, do you ever really grow up? I know I am still growing. For me, growth means change, and change is constant.

 

My mom recalls teachers asking parents this question: “What does your child want to be when they grow up?” at a parent teacher conference, probably sometime around my kindergarten years. She remembers the proud parents whose children wanted to grow up to be doctors, lawyers, astronauts, teachers, even the President of the United States. And she remembers when it came her time to answer, all she could say was the truth: “My daughter wants to be a country music singer.”

 

I don’t know when in life I fell in love with country music, but I have memories: walking down the hallway of that house on Northpointe Parkway with a CD player and headphones too big for my ears, belting Alan Jackson’s “Tall, Tall Trees;” years later, car windows rolled down, Rascal Flatts’ lyrics left to be swallowed up by the rush of wind passing by. I remember Shania Twain and Garth Brooks singing me to sleep. Faith Hill and Tim McGraw painting pictures of what I dreamed my life would look like someday. And in college, Taylor Swift, her stories paralleling the heartbreaks I endured—her lyrics giving voice to what I felt I needed to say. In exactly the right way.

 

The beauty of music to me lies in the lyrics. I’ve always been a sucker for words. And there’s a gift that songwriters have, to take a simple phrase and hold within it a whole universe of meaning.

 

Like Shane McAnally, Josh Osborne and Miranda Lambert’s “Vice”:

 

“ All dressed up in a pretty black label / Sweet salvation on a dining room table / Waiting on me / Where the numb meets the lonely / It’s gone before it ever melts the ice”

 

 

Where the numb meets the lonely….

 

And then, how a song can turn a phrase on its head and give it a whole new meaning. Like in Carly Pearce, Josh Osborne and Natalie Nicole Hemby’s “Easy Going”:

 

“You made it easy to love ya / Easy to get lost in your lies / The way you kept it undercover / Made me fall harder every time / Now that it’s all out, out in the open / You made it so easy going”

 

(Did anyone catch the “get lost in your lies” play too?)

 

These are the things I latch onto, the things that I feel drawn to, where I sense something beyond just music and words. There’s a connection there, a relatability, an understood reminder that “you are not alone.”

 

Most recently I came across one of Lauren Alaina’s newest songs, which she co-wrote with Hillary Lindsey, called “It Was Me.” There’s something about hearing a song for the first time, when that song seems like it was written for you, that shoots like electricity, that demands your attention, that invites you in and allows you to heal. If I could offer an apology, it’s in this song.

 

 

I’ve driven from my hometown in Mississippi to Nashville countless times, mostly during my college years. There was so much growth that happened on those drives. So much change. Six hours of country music playing on my stereo. Six hours mulching through the lyrics, drawing parallels to my life, trying to figure out my role in the heartbreaks I’d endured, trying to figure out the patterns that kept appearing in my life, trying to rationalize and justify the decisions I was making. The boy I kept running back to. The career I wasn’t sure I wanted. The past that kept following me, mixing into my present, confusing me with all the timelines and the distances and the supposed-to-be’s and the have-been’s. I just kept driving up I-55 and east on I-40, then back again, my wheels collecting dust and fumes, my CDs scratching and turning and repeating over and over and over again.

In between the drives were the nights on Broadway, the fancy dresses and winter coats at the CMA awards. The bright neon lights of downtown, the last calls, the rooftops where I made promises and stole kisses, where I pretended to be someone I wasn’t, where I hid from what I was becoming. I acted as though I didn’t care, stumbling on stages and singing karaoke to songs I’d once listened to as that child longing for the bright lights of the Opry. I made friends with strangers, collecting happiness like it was something I could store and use later on when the music was long gone. A distant melody or some far off echo.

 

Now it’s my turn. No, I wasn’t blessed with a voice that stands out, or even one that stays on tune. And no, I don’t have the dexterity and built up callouses required to seamlessly strum a guitar. But what I do have is the experience. The struggles and lessons, the memories, the nostalgia, the journals that kept track of all those drives back and forth from Mississippi to Tennessee. What I have is the desire to turn my heartache into art, with the hopes that one day the way I speak will touch someone else who needs to be heard and hasn’t yet found their voice.

tinder (no, not that tinder)

Although by now I should know better / I guess I’m just a repeat offender / Maybe next time I’ll have a change of heart / On second thought, I’ll toss the cards / Besides it’s always my damn fault / The blow lands softer when it’s from my hand

I started thinking bout picking up and heading out / To somewhere else for better memories / But my rearview mirror keeps fogging up / It seems I can’t forget enough / The wreckage of my past iniquities

But all I know for sure is shame / And having my own self to blame / Feels better than someone else’s sting / When walls around my fragile heart / Protect me from outside assault / I know I’m better off this way / Cause no one else feels pain / When I’m the tinder for my own flame

I can’t afford this time to sit around, ignore the signs / These wheels just keep on picking up more speed / If I’m too late to pump the breaks / It just might be the last mistake I make / Before they’re digging six feet deep

But all I know for sure is shame / And having my own self to blame / Feels better than someone else’s sting / When walls around my fragile heart / Protect me from outside assault / I know I’m better off this way / Cause no one else feels pain / When I’m the tinder for my own flame

Somewhere along the line / I finally realized my plan was broke / I forgot about second hand smoke

I thought I knew for sure that shame / And having my own self to blame / Felt better than someone else’s sting / But walls around my fragile heart / Can find a way to fall apart / Am I really better off this way? / Everyone feels pain / Until I learn to put out my own flame

teachers

 

 

The other day I got to briefly catch up with my third grade teacher. I had run into her husband at a workout class and he invited me to meet up with him and my teacher at a nearby restaurant. it’s funny how life works, how time ebbs and flows and reunites us with the people that helped pave our path. This particular teacher always thought I’d be a writer. Sometimes it helps to go back to the people who knew you before life happened, before you started conforming and losing sight of what makes you YOU. As a child I filled diaries, etched pages with my memories, with my thoughts and inner most feelings. I lived life through those pages, my fonts changing with my age, the feathered stroke of my pen turning to angry flicks in high school. I fell in love in those pages, grappled with my eating disorder, memorialized where I was during 9/11. I learned how to hold grudges, how to forgive, how to own up to mistakes. I mourned the loss of a classmate, the ink smudging with my tears. I shed all my secrets in my writing, I allowed myself to let loose the lies I’d accumulated to protect my ego. I allowed myself to breathe. But somewhere along the way I started second-guessing myself. Is there any worth in the way I arrange words? Will anyone want to listen to what I have to say? Will sharing my stories help someone or only expose my flaws? Am I a writer or just someone who writes?

All I know for sure is that I learn best about who I am through my writing. I am able to sort through my thoughts, to make sense of the noise in my head. When I write I feel connected to something greater than me, what some call a “higher power,” what some call “God.” To create is to heal, to create is to connect with Source, to create is to find purpose. Maybe my teacher thought I’d be a writer because she could sense that I found some sort of purpose through my writing. Maybe she believed in me before I could believe in myself.

Teachers come in different forms. In the heartaches of a broken relationship. In the loneliness of a fractured friendship. In the shared connection with a stranger. I am grateful for all the teachers in my life, for their ability to see me through a different lens, to point me on my path, to support me in my dreams. I am grateful for all life has to teach me. And I am grateful that I have my writing to help me learn and grow.

searching

I feel like I keep searching for something, but I don’t know what I’m searching for. It’s like the feeling of walking into a room and forgetting what I was going to get. I had a reason for going in there in the first place, but all of a sudden I can’t remember what I was looking for. That’s how I feel every day lately. I’m searching aimlessly. I’m craving direction, guidance, clarity. I’m coloring in the lines of the shapes that are handed down to me but I feel like there are other shapes I’m missing. I’m doing the motions but where am I going?

 

Over the years I have come to believe that the answer lies within. I know this intellectually. The problem I still face is that despite knowing this intellectually, I do not yet understand it emotionally. And I believe that is the key –being able to feel, to realize, to accept. There is no guidebook or black and white lettering to tell me the HOW, which is what I desperately crave. I keep wanting someone or something to lead me, to give me the bulleted steps, to hand me a manual and say this is how it is done. But it’s something I believe now is done with the heart, not the head. My head thinks it can figure anything out. It prides itself on analyzing thoughts and behaviors, grouping patterns together. My head believes that things can be solved as long as they can be seen, felt, heard. Sensed. My heart, on the other hand, this is where I falter. My heart relies on something beyond the senses. A discovery within that I have not yet learned, because I am so used to learning with my head. A process of feeling, allowing, accepting, surrendering, revisiting, unraveling, unpeeling. These are the steps I need to take, and the things I am searching for. This is the journey I am on.